![]() Historical Dictionary of Modern and Contemporary Classical Music. Berkeley, Los Angeles, and London: University of California Press. ![]() ![]() California Studies in 20th-Century Music. Berkeley: University of California Press. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. "Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". You can help by adding missing items with reliable sources. This is a dynamic list and may never be able to satisfy particular standards for completeness. While belief in musical progress or in the principle of innovation is not new or unique to modernism, such values are particularly important within modernist aesthetic stances. Inherent within musical modernism is the conviction that music is not a static phenomenon defined by timeless truths and classical principles, but rather something which is intrinsically historical and developmental. Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position. The operative word most associated with it is "innovation". In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The following is a list of modernist composers.
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